
Our People
Sarah King
Senior Lecturer & Course Leader BA (Hons) Fine Art
<p dir="ltr">Sarah King is an artist, educator and researcher, and Senior Lecturer and Course Leader for BA (Hons) Fine Art at Arts University Plymouth. Her practice explores relationships between memory, materials and place, with particular attention to care, repair, loss and the more-than-human. Drawing on folklore, ritual and the uncanny, she considers how objects carry traces of lives and landscapes, and how making can become a way of attending to fragile or overlooked things.</p>
<p dir="ltr">Sarah works across sculpture, assemblage, textiles, drawing, photography, and performance. Her processes include walking, gathering, observing, wrapping, stitching and arranging. Often working with organic and salvaged materials, she creates objects that suggest relics, domestic forms or speculative tools. These works bring material memory into conversation with imagined possibilities for tending to and mending the impossible.</p>
<p dir="ltr">Sustained engagement with place is central to Sarah’s research. Repeated visits to coastal landscapes inform her exploration of memory, folklore, thresholds and more-than-human relationships. Walking, gathering and close observation shape her material processes. Her assemblages consider what materials retain and how they might invite acts of care.</p>
<p dir="ltr">Her research project <em>The Lost Object</em> developed through gathering, caring for and transforming materials, exploring their relationship to absence, vulnerability and loss. The project has been shared through exhibitions and performance-lectures, including presentations at Richmond Art Gallery and the Annual Art History Conference at the University of York. She exhibits nationally and internationally and has work held in private collections in the UK and US.</p>
<p dir="ltr">Sarah co-convenes Arts University Plymouth’s Memory, Site & Artefact Research Group and is a member of LAND2. She leads the Fine Art degree and teaches across year1 and year3 and contributes to MA teaching, supporting students to develop connections between experimentation, critical enquiry and their individual practices. Her teaching centres on the studio as a place for making, sharing, questioning and learning through dialogue. She is a Senior Fellow of the Higher Education Academy and External Examiner for Glasgow School of Art.<br /></p>
<ul><li>Abjection, memory and material transformation</li><li>Care, repair, the uncanny and everyday artefacts</li><li>Performance, ritual and embodied practice</li><li>Site-responsive, place-based and coastal research</li><li>Feminist and posthuman framings of materiality</li><li>Folklore, enchantment and more-than-human relationships</li><li>Expanded drawing and practice-led research</li></ul>
<p dir="ltr"><strong>Research Projects</strong></p>
<p dir="ltr"><strong>2026 - present - </strong><strong><em>At the Edge of This World</em></strong><br />Place-based research exploring coastal landscapes, memory, materiality and enchantment through a distance residency associated with StudioKIND. Walking, gathering, repeated visits and site-responsive making inform independent practice.</p>
<p dir="ltr"><strong>2025 - present - </strong><strong><em>Soft Practices: Enchanted Vulnerabilities through Ritual, Fragility, and the Esoteric Body</em></strong><br />Practice-led research investigating vulnerability, memory and healing through ritual, material repair, symbolic gesture and embodied experience. The project develops interests in care, fragility and the esoteric.</p>
<p dir="ltr"><strong>2021 - 2025 - </strong><strong><em>The Lost Object</em></strong><br />Practice-led research exploring abjection, memory and material transformation through cyclical acts of gathering, caring and repairing. The project considers how rituals of care and remembrance respond to fragility, loss and the attempt to mend what seems irreparable.<br /><br /></p>
<p dir="ltr"><strong>Selected Research Outputs</strong></p>
<p dir="ltr"><strong>Conference papers and performance-lectures</strong></p>
<ul><li dir="ltr"><p dir="ltr"><strong>2026</strong> - <em>Soft Practice, Material Memory, Fragility and Speculative Futures</em>. Paper presented at the 9th Memory, Forgetting and Creating International Interdisciplinary Conference.</p></li><li dir="ltr"><p dir="ltr"><strong>2025</strong> - <em>Walking Between Worlds</em>. Performance-lecture with Professor Judith Noble, Annual Art History Conference, University of York.</p></li><li dir="ltr"><p dir="ltr"><strong>2025</strong> - <em>Recollecting, Remembering, Regaining: The Lost Object Project</em>. Paper presented at the 8th Memory, Forgetting and Creating International Interdisciplinary Conference.</p></li></ul>
<p dir="ltr"><strong>Exhibitions</strong></p>
<ul><li dir="ltr"><p dir="ltr">2026 <em>She Sees Herself</em>, joint exhibition with Professor Judith Noble, Field System, Ashburton.</p></li><li dir="ltr"><p dir="ltr">2026 <em>Totems for Troubling Times</em>, GROW, Plymouth.</p></li><li dir="ltr"><p dir="ltr">2025 <em>Traces, Ruptures, Returns</em>, MIRROR, Arts University Plymouth.</p></li><li dir="ltr"><p dir="ltr">2025 Studio KIND Summer Exhibition, North Devon.</p></li><li dir="ltr"><p dir="ltr">2024 <em>Textile Open 2024</em>, No Format Gallery, Deptford, London.</p></li><li dir="ltr"><p dir="ltr">2024 <em>PILOT</em>, Project Space 1, Arts University Plymouth.</p></li><li dir="ltr"><p dir="ltr">2023 <em>PUNCHCARD</em>, The Auxiliary Project Space, Middlesbrough.</p></li><li dir="ltr"><p dir="ltr">2023 <em>COLLECTING & REASSEMBLING</em>, Richmond Art Gallery, Canada.</p></li><li dir="ltr"><p dir="ltr">2023 <em>Drawing Open 2023</em>, No Format Gallery, Deptford, London.</p></li><li dir="ltr"><p dir="ltr">2022 Nanjing Expo, Nanjing, China.</p></li><li dir="ltr"><p dir="ltr">2022 <em>The Time Capsule Project</em>, Brooklyn Art Library, New York.</p></li><li dir="ltr"><p dir="ltr">2022 BAS9 Fringe Exhibition.</p></li><li dir="ltr"><p dir="ltr">2022 <em>The Book Project</em>, TEBBS Gallery, online.</p></li><li dir="ltr"><p dir="ltr">2022 Print Exchange, Winthrop University, South Carolina, USA.</p></li><li dir="ltr"><p dir="ltr">2022 SFSA Drawing Open, No Format Gallery, London.</p></li><li dir="ltr"><p dir="ltr">2021 <em>Cities</em>, touring exhibition, Brooklyn, Portland, Seattle and Boulder, USA.</p></li><li dir="ltr"><p dir="ltr">2020 Print Exchange, Alfred University, New York.</p></li><li dir="ltr"><p dir="ltr">2019 The Other Art Fair, London.</p></li><li dir="ltr"><p dir="ltr">2019 The Slow Galerie, Paris.</p></li><li dir="ltr"><p dir="ltr">2019 <em>Hidden</em>, Fringe Arts Bath.</p></li><li dir="ltr"><p dir="ltr">2019 <em>Tiny Sketchbook Show</em>, Brooklyn Art Library, New York.</p></li><li dir="ltr"><p dir="ltr">2018 Royal West of England Academy Annual Open, Bristol.</p></li><li dir="ltr"><p dir="ltr">2017 <em>A Drawing Show</em>, PS1, Plymouth College of Art.</p></li><li dir="ltr"><p dir="ltr">2017 <em>Test Space</em>, Spike Island, Bristol.</p></li><li dir="ltr"><p dir="ltr">2012 <em>Specular</em>, KARST, Plymouth.</p></li><li dir="ltr"><p dir="ltr">2012 <em>my sister life</em>, Artspace 101, Plymouth University.</p></li><li dir="ltr"><p dir="ltr">2012 <em>TRACE</em>, Motorcade/FlashParade, Bristol.</p></li><li dir="ltr"><p dir="ltr">2012 <em>Surface II</em>, Crypt Gallery, London.</p></li><li dir="ltr"><p dir="ltr">2011 <em>Surface</em>, Crypt Gallery, London.</p></li><li dir="ltr"><p dir="ltr">2011 <em>Satori</em>, performance/drawing, SPACE, Dartington.</p></li><li dir="ltr"><p dir="ltr">2011 Goldener Saal, Kunsthaus Tacheles, Berlin.</p></li><li dir="ltr"><p dir="ltr">2011 <em>Ultimate Stillness</em>, online exhibition.</p></li><li dir="ltr"><p dir="ltr">2010 <em>The Moment of Privacy Has Passed</em>, Usher Gallery, Lincoln.</p></li><li dir="ltr"><p dir="ltr">2010 <em>Domesticated</em>, touring exhibition, Postmodern Gallery, Swindon.</p></li><li dir="ltr"><p dir="ltr">2009 <em>Domesticated</em>, touring exhibition, Walcot Chapel, Bath.</p></li></ul>
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